Fluxus East

Fluxus Networks in Central Eastern Europe

Henie Onstad Kunstsenter | Sonja Henies vei 31 | 1311 Høvikodden | 28 October 2010 – 27 February 2011 (preliminary dates)

Fluxus is well-known as an (anti-)artistic, international network with centres in the USA, Western Europe and Japan. But what about this “intermedia” art – art encompassing music, actions, poetry, objects and events – beyond the “Iron Curtain”? What echo did Fluxus find in the states of the former Eastern Bloc, and what parallel developments existed there?
As a “programme of action”, Fluxus – according to its self-styled “chairman”, the exiled Lithuanian George Maciunas in a letter to Nikita Chruščev – was predestined to bring about unity between the “concretist” artists of the world and the “concretist” society of the USSR. Maciunas planned Fluxus as a collective based on the model of the Russian LEF (Left Front of the Arts). But these plans – e. g. for a performance tour by the artists on the Trans-Siberian Railway –, developed with polished communist rhetoric in manifestos and letters, were to remain no more than a utopia. After 1962, a different Fluxus East developed through creative exchange between Fluxus artists and artists/musicians of the former Eastern Bloc, leading to events including concerts with Fluxus compositions broadcast by Polish Radio (1964), Fluxus concerts in Lithuania (1966), Prague (1966) and Budapest (1969), and later a Fluxus Festival in Poznań (1977).
Fluxus East represents a first stocktaking of the diverse Fluxus activities in the former Eastern Bloc; the exhibition shows parallel developments and artistic practices inspired by Fluxus, which are still adopted by some young artists today. Besides the “classic” Fluxus objects, the display will include photographs, films, correspondence, secret police files, interviews and recordings of music that document the presence of Fluxus in the former Eastern Bloc. As an interactive exhibition, Fluxus East aims to facilitate a profound encounter with ideas, works and texts – some presented as facsimiles to permit intense study. The exhibition is an ongoing research project, the presentation of which is being adjusted to the respective local situation, including results of the latest research.

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